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Free Ebook , by David Bevington Frank Kermode

Free Ebook , by David Bevington Frank Kermode

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, by David Bevington Frank Kermode

, by David Bevington Frank Kermode


, by David Bevington Frank Kermode


Free Ebook , by David Bevington Frank Kermode

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, by David Bevington Frank Kermode

Product details

File Size: 2145 KB

Print Length: 64 pages

Page Numbers Source ISBN: 1599051575

Publisher: JKL Classics (January 31, 2017)

Publication Date: January 31, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01NC154B6

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Amazon Best Sellers Rank:

#609,241 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I was drawn to this play after watching “Shakespeare in Love.” Early in the movie lines are recited from the play that are quite entrancing: “What is light, if Silvia be not seen? // What is joy, if Silvia be not by? // Unless it be to think that she is by // And feed upon the shadow of perfection. // Except I be by Silvia in the night, // There is no music in the nightingale; // Unless I look upon Silvia in the day, // There is no day for me to look upon.” Alas, these words from Act III, and the song in Act IV, (“Who is Silvia? What is she, // That all our swains commend her?”) are the highlights of a play that most critics place at or near the bottom of the Shakespeare canon. The play is a comedy and therefore a love story, but the focus is on the friendship of two men--two buddies as it were--as in the plot of a Paul Newman/Robert Redford movie. Also, the heroine is not Silvia but Julia.The buddies are “The Two Gentlemen of Verona”—Proteus and Valentine. Proteus loves Julia and she loves him, while Valentine is destined to fall in love with Silvia. This being a comedy, Proteus falls for Silvia too, and Julia must disguise herself as a boy to win him back. If you’re familiar with Shakespeare’s comedies, girls disguised as boys is often part of the plot, but it was with this play where cross-dressing began. Valentine goes to Milan to be “tutor’d in the world.” Soon after, Proteus follows to meet up with him in the court of Milan. There, Proteus forgets about his love for Julia and falls head-over-heels in love with Valentine’s girl Silvia, and to entice her affections proceeds to disparage his best friend. Nice guy, huh? This betrayal leads to Valentine’s exile from the court. Determined to win him back, Julia dresses as a boy and sets off to find him. The plucky and fetching Julia; the wit of Launce, the clown, and his dog Crab can’t save the plot’s absurd and implausible twist wherein Valentine offers the love of his life (Silvia) to Proteus, just after Proteus was about to rape her. How’s that for friendship? And how’s that for love? Valentine doesn’t bother to ask Silvia how she feels about being offered up to his friend as so much chattel, never mind that she would have been raped had not Valentine and Julia arrived in the nick of time. As you might expect, “Two Gentlemen of Verona” is among the bard’s “problem comedies,” and is not performed all that often. In the introduction to the Pelican Shakespeare, Mary Beth Rose of the University of Illinois at Chicago sums up the play with: “In the ‘shallow story of deep love’ (I.I. 21), about which Valentine taunts Proteus at the beginning of ‘The Two Gentlemen of Verona,’ the actual ‘deep love’ is that between male friends.” Indeed. She also cites the plays “exquisite lyricism” as the play’s saving grace.

The item description has now been fixed. When I bought it it said that there was a copy of the original text and on opposite pages the modern translation. However, when I got it it was the original text, but you could click on the text to get the translation. When it worked it was awkward and annoying. However, it often didn't work and the translation would be messed up (gibberish) or would be for the wrong verse. I ordered it about 10 months ago. I wonder if so many good reviews are from the print version or if the issues have been fixed. Hope you have better luck.

"The Tempest", Shakespeare's play about betrayal, magic, and revenge, gets the graphic novel treatment courtesy of Campfire Classics, adaptor Max Popov, and illustrators Amit Tayal and Manikandan. This graphic novel nicely captures the essentials of the play: its drama, its love story, its humor,and its magical ending.When a sudden storm drives the King of Naples and the Duke of Milan and their followers near a mysterious island, the mighty magician Prospero grasps an opportunity to avenge an old wrong. The nature of that ancient wrong is revealed to Prospero's beautiful and now grown daughter Miranda, that her father was once himself Duke of Milan, but was betrayed by a usurping brother and a neighboring king. Prospero and his young daughter were exiled and left to die at sea.Now Prospero finds all his old enemies under his control. Using his magical powers and those of the spirit Ariel, Prospero unleashes an ambitious agenda, to punish his enemies, to find a suitable husband for his daughter, and to escape the island. With the shipwrecked party scattered around the island, Prospero shifts his focus from task to task, using his magic to change people's hearts and minds."The Tempest" is a complicated drama, but this graphic novel delivers the story in an understandable and entertaining way, including the author's essential point that change and not revenge is Prospero's ultimate objective; recommended.

I really can't speak highly enough of this version of The Tempest. The notes on the text, the layout, and the modern typeface combined with First Folio spelling and punctuation make this the most actable version of a Shakespeare play that I've seen. They've even laid it out so that each page of text is faced with a blank page, perfect for writing blocking, text, and direction notes. The only small gripe I have, and it is a minute one, is that the binding could be sturdier - the cover of mine is busily in the process of falling off, and we're not halfway through the rehearsal process yet. But even given that, I would rate this 6 stars if I could. In the future, I will be using the Applause First Folio versions of any Shakespeare plays where the definitive text is FF.

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